Alberto Giacometti – Art for Sale & Sold 🗿🎨
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Alberto Giacometti
Born: October 10, 1901, Borgonovo, Switzerland 🇨🇭
Died: January 11, 1966, Chur, Switzerland 🇨🇭
Education: School of Fine Arts, Geneva 🏫
Known for: Sculpture, painting, drawing 🖼️🗿✍️
Notable Works: Tête qui regarde 👤, The Palace at 4 a.m. 🏰, L’Homme au doigt ✋, Grande tête mince 🗿, Large Standing Woman I 👩🎨, Monumental Head 🗿, L’Homme qui marche I 🚶♂️
Movements: Surrealism 🌀, Expressionism 🎭, Cubism 🔷, Formalism 🔲
Spouse: Annette Arm (m. 1949) 💍
Awards: Grand Prize for Sculpture, Venice Biennale (1962) 🏆
Website: fondation-giacometti.fr 🌐
Alberto Giacometti was a trailblazing Swiss sculptor, painter, draftsman, and printmaker whose work profoundly influenced 20th-century art. Born in the idyllic village of Borgonovo, Switzerland, Giacometti grew up in a family deeply rooted in the arts. His father, Giovanni Giacometti, was a noted post-Impressionist painter, and young Alberto was inspired by his father’s creative spirit 🎨👨🎨.
Giacometti’s formal art education began at the Geneva School of Fine Arts, but it was his move to Paris in 1922 that marked the beginning of his transformative journey in art ✈️🏙️.
In Paris, Giacometti studied under the esteemed sculptor Antoine Bourdelle, and his work was shaped by the artistic currents of Cubism and Surrealism. He mingled with the avant-garde, interacting with iconic figures such as Pablo Picasso and Joan Miró 🖼️🤝.
Giacometti’s work from this period is characterized by its innovative exploration of form and space, influenced by the era’s intellectual currents and his own philosophical inquiries.
During the 1930s, Giacometti’s sculptures began to embody a minimalist ethos, with figures reduced to their most essential forms 🔲.
His art reflected a deep engagement with existential themes, capturing both presence and alienation in his slender, elongated figures 🗿.
Notable works like L’Homme qui marche I (Walking Man I) 🚶♂️ and Grande tête mince (Large Thin Head) 🗿 exemplify this period of his career, showcasing his unique approach to human representation and space.
The outbreak of World War II prompted Giacometti to return to Switzerland, where he continued to refine his artistic vision 🇨🇭. His post-war work gained international acclaim for its hauntingly slender figures, which evoke a sense of both fragility and resilience 🌟.
Giacometti’s sculptures have become iconic symbols of existential thought and modernist aesthetics.
Giacometti’s artworks have achieved remarkable success in the auction world, setting impressive records. For instance, L’Homme qui marche I was sold for a staggering $104.3 million at Sotheby’s in 2010, setting a new record for the highest price ever paid for a sculpture at auction 💸💰.
Similarly, his Grande Femme Debout I fetched $14.3 million in 2000, demonstrating the enduring value of his work in the art market 📈.
Today, Giacometti’s legacy is celebrated in major art institutions around the globe, including the Museum of Modern Art in New York 🗽, the Tate Modern in London 🇬🇧, and the Fondation Giacometti in Paris 🇫🇷.
His work continues to inspire and challenge, affirming his place as one of the foremost artists of the 20th century 🌟🖼️.
For art enthusiasts and collectors interested in acquiring a piece of Giacometti’s remarkable oeuvre, major auction houses and specialized art dealers offer opportunities to invest in his work 🎨💎.
Owning a Giacometti piece is not just a testament to one’s taste in art but also an acknowledgment of the profound impact this pioneering artist has had on modern art ✨🖼️.
L’Homme au doigt 🗳️
English: Man Pointing or Pointing Man
Artist: Alberto Giacometti 🖌️
Year: 1947
Type: Bronze 🏛️
Dimensions: 180 cm (70 in) 📏
L’Homme au doigt ([lɔm o dwa], “The Man with the Finger”; also called Pointing Man or Man Pointing) is a 1947 bronze sculpture by Alberto Giacometti 🖌️, that became the most expensive sculpture ever when it sold for US$141.3 million 💰 on May 11, 2015 🗓️.
Giacometti made six casts of the work plus one artist’s proof. Pointing Man is in the collections of New York’s Museum of Modern Art 🖼️, London’s Tate Gallery 🖼️, and the Des Moines Art Center 🎨. One of the others is also in a museum, and the rest are in foundation collections or owned privately 🏛️.
L’Homme au doigt sold for $126 million 💵, or $141.3 million with fees 💸, in Christie’s 11 May 2015 Looking Forward to the Past sale in New York 🗽, a record for a sculpture at auction 🏆. The work had been in Sheldon Solow’s private collection for 45 years 🕰️. According to Giacometti, he created the sculpture in a time crunch for a show’s deadline, describing it being made “in one night between midnight and nine the next morning” ⏳.
Christie’s called it a “rare masterpiece” 🎨, and “Giacometti’s most iconic and evocative sculpture” 🏛️, and estimated that it would sell “in the region of $130 million” 💵. Christie’s also noted that the cast in their auction is believed to be the only one that Giacometti “painted by hand in order to heighten its expressive impact” 🎨.
Another Giacometti work, L’Homme qui marche I 🗺️, had also been the most expensive sculpture ever sold at auction 🏆, when it sold for £65 million (US$104.3 million) 💸 at Sotheby’s, London 🏛️ on 3 February 2010 🗓️.
Description
L’Homme au doigt is a bronze sculpture depicting a slender figure measuring nearly 6 feet (1.8 m) tall 📏 with its index finger extending 👆. This is also called the pointing man
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